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Quote of the Week
"What if I’m not a superhero? What if I’m the bad guy?"

Edward Cullen, Twilight
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Μια Βόλτα Στον Παράδεισο
Στην προσπάθειά της να ορθοποδήσει και να ξεπεράσει το φιάσκο του γάμου της, απογοητευμένη η Ζωή καταφεύγει στη Σαντορίνη. Εκεί γνωρίζει την Άννα, ιδιοκτήτρια πανσιόν, που της προσφέρει δουλειά, και τη Μαργαρίτα, ξαδέλφη της Άννας. Στο νησί την ακολουθούν και οι δύο αγαπημένες της φίλες, η Δανάη και η Βίκυ.

Η μοίρα όμως έχει ένα παράξενο σχέδιο.

Στο μαγευτικό σκηνικό της Σαντορίνης οι πέντε κοπέλες θα μπλέξουν τις ζωές τους, θα βρεθούν αντιμέτωπες με μυστικά και ψέματα, με μίση και πάθη που θα έρθουν στην επιφάνεια και θα γνωρίσουν τον έρωτα εκεί που δεν το περιμένουν. Θα κλάψουν, θα πονέσουν, θα γελάσουν, θα θυμηθούν και, προπάντων, θα αναζητήσουν η καθεμιά το δικό της προσωπικό παράδεισο.


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 The Rover (2014)

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 8 Μαϊος 2014 - 7:19

πολυ ωραια η καινουργια αφισα

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 8 Μαϊος 2014 - 14:55

Νέο βιντεάκι με σκηνή απ' την ταινία



(http://robpattinson.blogspot.gr/)



"I met Rob once before I even knew I was going to film 'The Rover.' He is among the 400,000 people I met in Los Angeles when 'Animal Kingdom' came out there. (Laughing) I knew nothing about him, I hadn’t seen the Twilight movie – Still haven’t seen them, by the way. However, some of my friends had told me he was an interesting guy," director Robert Michod told Premiere magazine (via Robert Pattinson 360). "I was impressed by his intelligence, his energy, but that day, I was especially struck by his face. I thought I was going to come face to face with one of those young trendy guys whose beauty is boring, but his mug is fascinating, totally unique. Then, when we began casting for the film, I saw a lot of actors, some very well-known, but Rob’s tests were magnificent and very moving. And what was important to me, he really wanted to do the film, you could see it.”

And perhaps you can get that sense too, with the first clip from the dropping online today, as its Cannes Film Festival debut creeps closer and closer. Robert Pattinson and Guy Pearce star in the film set ten years after the collapse of society, with little in the way of law and order. When Rey (Pattinson) is carjacked and left for dead, he falls into an uneasy partnership with loner Eric (Pearce), who helps him track the down the gang of thieves. And as you'll see in this clip, there isn't much hope out there in the Australian outback.

"The Rover" hits theatres on June 20th.

http://blogs.indiewire.com/theplaylist/watch-god-abandons-robert-pattinson-in-clip-from-cannes-thriller-the-rover-plus-new-poster-20140508?utm_source=dlvr.it&utm_medium=twitter

Η ταινία θα προβληθεί στις Κάννες 18 Μαϊου http://www.robstendreams.com/2014/05/official-cannes-schedule-for-rover-maps.html

Νέες φωτογραφίες



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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 8 Μαϊος 2014 - 17:44

θελω να το πλυνω σε αυτη την ταινια...μη σου παρω τη δουλεια Βασω αλλα σπαραζει η καρδια μου!

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 8 Μαϊος 2014 - 18:45

ειδικα το δοντακι... giggle 

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 8 Μαϊος 2014 - 19:14

Evil or Very Mad Evil or Very Mad 

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 8 Μαϊος 2014 - 21:25

giggle giggle 

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Τρι 13 Μαϊος 2014 - 16:36



   Already one of our 15 Most Anticipated Films Of The 2014 Cannes Film Festival, the good news is that unlike many films unspooling on the Croisette, we won’t have to wait too long to see “The Rover” in theatres at home. Arriving just in time to provide a smart summer antidote to the variety of big screen blockbusters on display, David Michod‘s latest promises a unique sun-cooked thriller, and today we have the exclusive look at the U.S. theatrical poster for the film.

   Starring Guy Pearce and Robert Pattinson, the story is set in the Australian outback, and follows a man who hunts down the gang of criminals who stole his car, forcing a wounded and abandoned member of the gang to help track them. And while the film is set in a dystopian future, the filmmaker hopes that the themes within will resonate with a contemporary audience. Here’s what he has to say in his director’s statement from the press notes for the film:

   The Rover is set in an unspecified near–‐future, but is, in essence, a film about today. It’s about the rapacious capacity for under–‐regulated Western economies to destroy themselves and it’s about the inevitable shifting balance of global power. It’s about the seemingly intractable problems of human greed and environmental destruction and the despair these forces might elicit in struggling people. More than anything, it’s about the ways these factors affect the emotional lives of individuals.

   Unlike many films set in a dystopian future, I don’t want the devastation of The Rover to be seen as the consequence of a single unforeseen cataclysmic or apocalyptic event. Imagined cataclysms frequently allow viewers or readers an opportunity to distance themselves from the earth and air of the story. I want The Rover to feel like an entirely conceivable world of the very near future, a world despoiled by very real forces and systems at work all around us today.

   The Australian Outback of The Rover is a world ten years after a great Western economic collapse. It’s a near future of social and economic decay. Services, utilities, law and order have fallen into dangerous disrepair. And yet people from all corners of the world have come to this place to work the mines that feed the new world alignment, that feed the great powerhouses of this, the Asian century.

   The world of the movie, as such, mirrors the American and Australian gold rushes of the 19th century. People are drawn to the land’s mines and with them come the leeches, the refuse, the hustlers and criminals who hope to exploit the mines’ margins.

   This isn’t a complete collapse of society –‐ it’s an inversion of present–‐day global power dynamics. This is Australia as a resource–‐rich Third World country. This is the violence and unrest of contemporary Sierra Leone, DRC, Nigeria and Guinea.

   And at the centre of this world are two men –‐ one, a murderously embittered Australian man, a former soldier who has lost his farm and his family; the other, a simple and naive American boy, too young to remember a time when things were anything other than what they are.

   Fascinating stuff indeed, and we’re looking forward to seeing how the genre elements and bigger idea concepts are melted together by the “Animal Kingdom” director. “The Rover” opens in limited release on June 20th. Check out the U.S. theatrical poster below.

http://blogs.indiewire.com/theplaylist/exclusive-us-theatrical-poster-for-cannes-thriller-the-rover-plus-david-michods-directors-statement-20140513

(via http://www.strictlyrobsten.com)
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 15 Μαϊος 2014 - 19:01

Νέα still

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Σαβ 17 Μαϊος 2014 - 18:59

Πρώτες κριτικές για την ταινία


Variety:

Pearce is fiercely impressive here as a man who gave up on the human race even before the latest round of calamities, and if there are occasional glimpses of the kinder, gentler man he might once have been, we are more frequently privy to his savage survival instincts. But it’s Pattinson who turns out to be the film’s greatest surprise, sporting a convincing Southern accent and bringing an understated dignity to a role that might easily have been milked for cheap sentimental effects. With his slurry drawl and wide-eyed, lap-dog stare, Rey initially suggests a latter-day Lennie Small, but he isn’t so much developmentally disabled as socially regressed — an overprotected mama’s boy suddenly cast to the wolves — and Pattinson never forces or overdoes anything, building up an empathy for the character that’s entirely earned. He becomes an oasis of humanity in this stark, forsaken land.


THR:

As the two men scour the countryside looking for Henry and his cohorts, Eric messes with Rey’s head, insisting that his brother left him to die and otherwise playing on the vulnerabilities of a sensitive but mentally-challenged hick who almost could have stepped from the pages of a William Faulkner novel. His stubble, dirty yellow teeth and injuries muting his physical beauty, Pattinson delivers a performance that, despite the character’s own limitations, becomes more interesting as the film moves along, suggesting that the young actor might indeed be capable of offbeat character work. But always commanding attention at the film’s center is Pearce, who, under a taciturn demeanor, gives Eric all the cold-hearted remorselessness of a classic Western or film noir anti-hero who refuses to die before exacting vengeance for an unpardonable crime. Why he so intently wants his car back he never says; it’s just where he draws the line, where the outside world went one step too far and sent him over the edge. Michod eventually provides one significant emotional explanation for Eric’s hollow heart, much in the way that Sergio Leone would use one late-revealed incident to define his antagonists’ villainy.


The Guardian:

The script twists and turns as it brings Pearce together with Robert Pattinson's poor, ignorant, incompetent young robber. Pearce had actually managed to give chase to the gang in their own truck, which turns out to be perfectly drive-able: it is plausible that the robbers would abandon their vehicle as casually as they abandoned Rey, although why they don't simply demand it back once they realise it's undamaged isn't satisfactorily explained. On his way to Rey, and later, Pearce's character makes a tour of all the freaky, scary figures out there in the wasteland: people in ruined shacks trying to sell stuff, and people who have become feral in a weird Diane Arbus-world of their own.


Little White Lies:

Performances are pitched just right between hard-bitten and mournful. Guy Pierce, as all know, has stoically grizzled down to a fine art, while Pattinson manages his new non-heart-throb ground (the make-up team have wrought merry hell on his teeth) with admirable pathos. His limp, hick accent, facial tics and staccato delivery play second, third, fourth and fifth fiddle to a whole lot of heart, and one that Eric cannot help but fall for. If there’s one thing this violent metaphysical drama emphasises it’s that heart is, when all else fails, a man’s best friend.


Indiewire:

Pearce's scowling appearance and relentless ability to force others to meet his demands—particularly in a sudden burst of violence when he seeks out a firearm—marks his strongest role since "Animal Kingdom," while Pattinson finally moves beyond wooden mannerisms to give his awkward character a pathetic, creepy demeanor. Leaving both the origin stories for both men largely up for interpretation, however, Michod (who co-wrote the story with regular collaborator Joel Edgerton) fails to make their plight engaging. Like its tattered setting, "The Rover" is scattered with intriguing ideas never successfully fleshed out: a woman at one outpost who keeps her dogs in cages to save them from scavengers and a motel shootout that manifests out of nowhere create the anticipation of peril lurking in every corner. They hint at the prospects of a well-honed thriller, and it's easy enough to get swept in the intensity of these moments.


The Playlist:

Pearce is reliably riveting as the totally stonefaced Man With No Name Except Maybe Eric, and Michod exploits his charisma for all its worth in the many extended takes of his inscrutable, unreadable mien, while Pattinson, who we were initially worried might be too tic-laden to fully convince, actually turns in a performance that manages to be more affecting than affected. It’s certainly the best we’ve seen him deliver, despite the rather standard-issue-halfwit yokel accent and the actor commits to it wholly. The contrast between these men, Pattinson as twitchy as Pearce is impassive is marked and its in the space between the two, punctuated by bursts of gunfire, that the film really lives.


Buzzsugar:

Pearce is the center of the film and a forceful presence as usual, but Pattinson puts in a formidable and truly transformative performance all his own. Rey is an unattractive character in an unattractive world, with rotten teeth, a bad haircut, and an off-putting, twitchy demeanor, but there's no sense that Pattinson did any of this in a superficial effort to ugly himself up and distance himself from his heartthrob image. If anything, the role should stand as proof to any doubters that with the right director and the freedom to break free of his own public persona, Pattinson has real ability and magnetism on screen.


HitFix:

Robert Pattinson's Rey seems like he's barely able to function as a person. He mumbles, he seems like a bit of a dummy, and while he seems capable of violence, he feels like a scared kid who's constantly terrified of everyone else, unsure why people do what they do, unable to communicate on those rare occasions that the synapses all actually do fire. He's very good in the role, and while I'm not crazy about the film as a whole, if Pattinson keeps making choices like this and his ongoing collaboration with David Cronenberg, there may actually be a future for him where people are genuinely shocked to learn that he starred in the "Twilight" movies.


Vanity Fair:

When we first see Pattinson, he is covered in dust (as is just everything else in this film) and clutching a gun wound to his gut. His hair has been chopped down to an unglamorous crew cut, and his teeth are those of a lifelong tobacco-spitter. He speaks in a high-pitched Southern drawl, and he’s as twitchy as Pearce is ice-cold and deliberate. In one endearing sequence, Pattinson even busts out a falsetto to sing along to the chorus of Keri Hilson’s “Pretty Girl Rock.”

And yet, many of the qualities that made Pattinson and international heartthrob remain: the red lips, the expressive brow, the lean physique and ivory skin. Unlike Edward Cullen of Twilight, however, this Pattinson doesn’t brood. Brooding is Pearce’s job in this film, and he takes the responsibility very seriously.


Screen Daily:

But the film’s weak link is Pattinson, not because it’s a bad performance, rather it is a familiar one, a mumbling hick who seems to be channeling the mannerisms of Billy Bob Thornton in Sling Blade, but who doesn’t quite belong in this imaginative universe (despite exposition of how people from the entire world, including the US, have ended up in this Australia).



Empire Online:

As anyone who’s seen Animal Kingdom will know, the squeamish need not apply: there are shocks, but not in a gimmicky way. This is about communicating the horrors of a desperate, barren world – something we’ve seen before, of course, but Michôd gives it his own spin. Characters are well-drawn, despite long swathes without dialogue – Pearce is as strong as he’s ever been and Pattinson shows more range than many might expect.


First Showing:

While the film and its experience is fresh in my mind, the more I begin to think about it and process it even as I begin writing about it, the more I realize how much Michôd has hidden in the silence, in the quietness and dialogue-free moments. In turn, this makes every last word spoken that much more important. Pearce, similar to Ryan Gosling in Drive, carefully chooses every word, every twitch, every muscle in his body to deliver a performance that speaks volumes while actually saying very little. Even Robert Pattinson, giving one of his best fidgety, aloof performances to date, has so much more to say between every word he speaks.


Vulture:

Several members of the press have advanced the notion that The Rover finally proves Pattinson's acting chops, though I think he already acquitted himself admirably two years ago when he starred in David Cronenberg's Cannes premiere Cosmopolis. What they really mean is that The Rover lets Pattinson be butch for once, waving around a gun and caking his face with blood and dirt in a bid to prove his manliness in the wake of Twilight.


Tweets:

   joeutichi: The Rover: Pearce and Pattinson impress in David Michod's post-apocalypse. Not as much power as Animal Kingdom, but great nonetheless.
   joeutichi: Robert Pattinson has real talent, often overlooked. Him singing "don't hate my cos I'm beautiful" pretty apt. #Cannes2014
   firstshowing: The Rover - Subversive, gritty, brutal, questionable. Touches of first Mad Max. A very quiet, but loud film. Bearded Guy Pearce is badass.
   HitFixGregory: The Rover is tough stuff. Biggest departure 4 Robert Pattinson to date. Movie has impressive moments but too precious 4 material. #Cannes
   lindsaylmiller: Just left #TheRover screening. My love for Guy Pearce knows no bounds but I also was surprised by Pattinson. Remarkable film. #Cannes2014
   ZeitchikLAT: So great to see Rob Pattinson actually act. Should have done a gritty genre piece long ago. #TheRover #Cannes2014
   nigelmfs: THE ROVER: bleak and beautiful. Pattinson's best performance by a long shot. Pearce is excellent as always.
   IMDbKeith: Best film @Cannes2014 so far, by far, is #TheRover, post-apocalyptic Western where God is a gun. 9.4/10
   IMDbKeith: #RobertPattinson proves he has the skills to continue to act for as long as he wants & w/whom he wants, thanks to David Michod's #TheRover
   KetchumAtMovies: The Rover = Masterpiece. #Cannes2014
   peterhowellfilm: THE ROVER: Clint & Mel comparisons for dystopic Aussie road pic, but Steinbeck loneliness resonates. Guy Pearce & Robert Pattinson, top form
   _Winter_wind: Damn! #RobertPattinson and #GuyPearce are brutal, so good in "The Rover" a very riotous film and very very good!
   _Winter_wind: Seriously, I think at time the whole thing reached unbelievable limits,but damn #RobertPattinson knows how to deliver in a drama
   _Winter_wind: The first A in this festival, at least for me. "The Rover" A
   Nico_Gilli: Excellent The Rover. #Cannes2014
   BeccaFrucht: Just left #TheRover...w/o my humanity. Guy Pearce is a force & Robert Pattinson is unrecognizable. Strong acting, tough to watch. #Cannes
   filmfest_ca: ROVER-desert dry, deliberately paced post-Western revenge film. Pearce sizzles, Robert Pattinson's Joaquin-like role best yet #Cannes2014
   ACEFilmEditors: THE ROVER with Robert Pattinson just premiered @FdC_officiel. A gritty post-apocalyptic western. Great film! #Cannes2014 #ACE #Pattinson
   AntoNiQSI: The Rover: Michôd's version of a post-apocalyptic environment is dirty and crepuscular. A very strong movie despite its size. #Cannes2014
   TheB2C: #TheRover #RobertPattinson à la sauce Gilbert Grape. #Cannes2014
   jake_coyle: Michod's 'The Rover': Raw, dirty dystopia in near-future Aussie Outback. Not as substantial as 'Animal Kingdom,' but hypnotic. #Cannes2014
   jake_coyle: Guy Pearce is great as a man of few words, but Pattinson never been better. #TheRover #Cannes2014

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Σαβ 17 Μαϊος 2014 - 19:49

γενικα θετικα πραγματα βλεπω...δεν εκατσα να τα διαβασω ολα...

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Σαβ 17 Μαϊος 2014 - 23:55


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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Κυρ 18 Μαϊος 2014 - 14:29

"The Rover" photocall - Κάννες - 18 Μαϊου



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Περισσότερες εδώ https://www.facebook.com/media/set/?set=a.301407710026058.1073741897.125191377647693&type=3

(via http://robpattinson.blogspot.gr)
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Κυρ 18 Μαϊος 2014 - 15:40

πως του παει το βεραμαν του παιδου!!  lol! 

το παπουτσι με το διπλωμα του παντελονιου κατω με χαλανε αλλα ας το προσπερασουμε!! Evil or Very Mad 

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Κυρ 18 Μαϊος 2014 - 16:42


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Καλό ταξίδι.

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Δευ 19 Μαϊος 2014 - 14:05

κουκλος!
το ντυσιμο εξαιρετικο! απο το σακακι και το πουκαμισο μεχρι το θεικο ρολοι!
η ταινια απο οτι ειδα εχει παρει κυριως θετικα σχολια και ειδικα ο Ρομπ!
ευτυχως ο κοσμος και κυριως οι κριτικοι σταματισαν να τον ταυτιζουν με το twilight και ειδαν οτι ειναι ενας πραγματικα καλος ηθοποιος και ισως τωρα σταματισουν να τον κριτικαρουν τοσο σοβαρα και να ειναι τοσο επιφυλακτικοι απεναντι του.
GO ROB!!!!!!

και ο Γκαι Πιρς τι χαλια με τις παντοφλες! απαπα χαλια...
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Δευ 19 Μαϊος 2014 - 19:29

 

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Πεμ 22 Μαϊος 2014 - 18:11

Συνέντευξη στο Les Inrocks TV

Αρχίζει στο 1.55 λεπτό



(via http://www.robstendreams.com/)
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Τετ 28 Μαϊος 2014 - 19:16

Hello! Magazine: Half Hour with Robert Pattinson

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(via @Gossipgyal)
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Τετ 28 Μαϊος 2014 - 20:40

ομορφια μου....   

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Σαβ 7 Ιουν 2014 - 8:32

Συνέντευξη στο ASOS Australia

   Hi Robert! Welcome to Sydney. Tell us, what piqued your interest in the film?
   ‘I thought the script was so sparse and direct. It even looked different on the page, like the formatting was different. There were no commas! I thought it was so original, and my agent told me it was an offer, and I was like “Really? I never get offered stuffed like this!” And then he was like… “Oh no, I sent you the wrong email, everyone’s auditioning for this.” [laughs].’

   How would you describe your character, Rey?
   ‘He’s very… dependent. He’s been told by everyone around him that there’s something wrong with him, that he’s kind of deficient in some way, and it’s not really established whether he is or he isn’t.’

   What were some of the challenges in bringing Rey to life?
   ‘Mainly the costume! It sounds ridiculous but that was the most important part. As soon as I got the right pair of jeans – we went through, like, a million pairs of jeans! – And once we found the right jeans for him to plod around him, and sneakers that were slightly too big, [it all came together].’

   Can definitely relate to that feeling! How important is fashion and costume is to a movie? Is it something you really focused on?
   ‘It’s massive for me! It’s weird though; I had such a specific look in [The Rover] – down to the colours of the t-shirt. We did a few screen tests and [when you have the right clothes] you suddenly walk different.’

   What was the hardest scene to shoot? There are so many graphic, confronting moments.
   ‘My hardest scene – and this is probably a bit of a giveaway – but I had to have a pipe up my leg, with three guys controlling my pump, and that was probably my biggest scene in the movie. I didn’t know how complicated it would be with the set up.’

   What do you think makes Australian film unique?
   'For the last few years, it suddenly became such a unique genre. I don’t know what it is! There’s something about it being so isolated – I think it feels very foreign. I think there’s a confidence in the filmmaking that doesn’t exist elsewhere. In Australia, there’s kind of vitality to it. A grim vitality.'

(via http://robpattinson.blogspot.gr)
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Σαβ 7 Ιουν 2014 - 18:54

Πρεμιέρα στο Sydney Film Festival - Αυστραλία - 7 Ιουνίου

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Περισσότερες φωτογραφίες & μερικά σύντομα βιντεάκια εδώ http://robpattinson.blogspot.fr/2014/06/the-rover-australian-premiere-at-sydney.html
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Σαβ 7 Ιουν 2014 - 19:18

καιρο ειχα να δω το αγορι με κουστουμια...μιαμ μιαμ   

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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Σαβ 7 Ιουν 2014 - 23:21

ποτε θα βγει η ταινια?
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Κυρ 8 Ιουν 2014 - 8:20

$ofi@ + Edward έγραψε:
ποτε θα βγει η ταινια?

Εδώ στην Ελλάδα εννοείς? Ακόμα δεν ξέρουμε πότε & αν θα βγεί.
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ΔημοσίευσηΘέμα: Απ: The Rover (2014)   Κυρ 8 Ιουν 2014 - 22:28

οο κριμα σε ευχαριστω παντως
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The Rover (2014)
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